{"id":1898,"date":"2025-12-18T00:55:03","date_gmt":"2025-12-18T00:55:03","guid":{"rendered":"https:\/\/sites.chapman.edu\/scriptbank\/?p=1898"},"modified":"2026-03-30T12:21:01","modified_gmt":"2026-03-30T19:21:01","slug":"dead-air","status":"publish","type":"post","link":"https:\/\/sites.chapman.edu\/scriptbank\/2025\/12\/18\/dead-air\/","title":{"rendered":"Dead Air"},"content":{"rendered":"<header class=\"entry-header\">\n<p class=\"p1\">Logline: A 1980s radio DJ with a compulsive gambling problem faces a supernatural force that preys on his callers\u2019 vulnerabilities, forcing him to confront his darkest guilt.<\/p>\n<p class=\"p1\">Page Count: 7<\/p>\n<p class=\"p1\">Genre: Thriller, Horror, Dark Comedy<\/p>\n<p class=\"p1\">Cast Breakdown:<br \/>\nROBBIE ROURKE (30s, M): A charismatic late-night radio host who gives romantic advice on air while privately unraveling under a compulsive gambling addiction and the guilt of his failed marriage.<br \/>\nTHE MONSTER (M): A supernatural entity that feeds on vulnerability and emotional pain; taunting, calculated, and predatory.<br \/>\nHEATHER (16, F): A heartbroken teenager whose fear of being alone makes her the Monster\u2019s first target.<br \/>\nDANIEL (22, M): A cocky but deeply insecure young man addicted to cheap attachments and emotional games, masking his loneliness with arrogance.<br \/>\nPATRICIA (40s, F): A quietly heartbroken, emotionally numb woman trapped in a loveless marriage, longing to be seen yet resigned to the fact that she never will be.<br \/>\nEARL (50s, M): A hollow, weary caller who recognizes his internal pain and the danger at hand, attempting to warn Robbie before it\u2019s too late.<br \/>\nSHARON (30s, F): Robbie\u2019s ex-wife and the love of his life; a kind, loving woman who was pushed beyond her breaking point.<br \/>\nTODD (18, M): A nervous, timid intern, often on the receiving end of Robbie\u2019s emotional outbursts.<\/p>\n<p class=\"p1\">Location:<br \/>\n<i>Note: All INT. Locations should be dressed to resemble the 1980s<br \/>\n<\/i>INT. RADIO BOOTH<br \/>\nINT. HEATHER\u2019S BEDROOM<br \/>\nINT. DANIEL\u2019S ROOM<br \/>\nINT. KITCHEN<br \/>\nINT. LIVING ROOM<br \/>\nINT.\/EXT. DEAD AIR (Black Void)<\/p>\n<p>SFX \/ Stunts \/ Cheats:<br \/>\n<span style=\"text-decoration: underline;\">SFX<\/span><br \/>\nHeavy use of radio and TV static, signal distortion, feedback, and dead-air tones<br \/>\nPhone audio effects: line clicks, beeps, ringing, abrupt call drops<br \/>\nEQ plugin (post production) to simulate phone-line audio quality<br \/>\nEnvironmental Audio Cues: wind howling, low hums, flickering electrical buzz<br \/>\nImplied injury effects: gasps and sudden thuds (bodily or environmental, off-screen)<br \/>\nMonster Effects: low growls, breathing, and distorted vocal processing (pitch-shifting, reverb, delay)<br \/>\nThe Void: reverb and echo effects on laughter, dialogue, and memory playback<br \/>\n<span style=\"text-decoration: underline;\">STUNTS<\/span><br \/>\nActor reaction-based scares only (no physical violence shown on-screen)<br \/>\nImplied off-screen attacks achieved through sound design, cutaways, practical lighting effects and performance<br \/>\nNo fight choreography or hazardous physical stunts required<br \/>\nSafe actor blocking for moments of sudden movement, including:<br \/>\nDoor rattling<br \/>\nBeing \u201cpulled\u201d backward, achieved through close-up framing and sudden cutaways<br \/>\n<span style=\"text-decoration: underline;\">CHEATS<br \/>\n<\/span>Monster:<br \/>\nShadow POV of the Monster achieved through lighting, negative fill, low-angle\/POV camera placement, sound design, and silhouette<br \/>\nOPTIONAL MONSTER POV TREATMENT: distorted color, vignetting, or partial blurring to suggest the Monster\u2019s perspective<br \/>\nMonster Reveal achieved through lighting and practical costume elements<br \/>\n<span style=\"text-decoration: underline;\">LIGHTING<br \/>\n<\/span>Flickering lights achieved through dimmers, strobe lights, and\/or practical flickering light fixtures<br \/>\nRed glow from the \u201cON AIR\u201d sign intensified using practical red lighting and\/or color gels<br \/>\nPhone panel lights created practically or with VFX<br \/>\n<span style=\"text-decoration: underline;\">BLACK VOID (DEAD AIR):<br \/>\n<\/span>Dead Air Void created using a black backdrop, practical set (i.e. blackbox theater), or green screen, alongside controlled lighting and sound design<br \/>\nTelevision memory sequences can be pre-shot insert footage or footage captured in a plain\/undressed existing location, then degraded and distorted in post-production as needed<br \/>\nVisual effects used for television playback elements and the Monster\u2019s physical distortion within the black void.<br \/>\n<span style=\"text-decoration: underline;\">OTHER<br \/>\n<\/span>All violence is implied and conveyed through lighting and sound design, keeping production safe<br \/>\nIf unable to do practically, utilize post-produduction VFX for lighting, distortion, and Television effects<\/p>\n<\/header>\n<header class=\"entry-header\">\n<p class=\"p1\">Credit:<br class=\"last\" \/>Written by Lily Andrews and Madisyn Macgregor<\/p>\n<p class=\"p1\">Contact Info: landrews@chapman.edu,<span class=\"s1\">\u00a0<\/span>macgregor@chapman.edu<\/p>\n<p class=\"last\">Read here: <a href=\"https:\/\/sites.chapman.edu\/scriptbank\/wp-content\/uploads\/sites\/25\/2026\/03\/Dead-Air.pdf\">Dead-Air<\/a><\/p>\n<\/header>\n","protected":false},"excerpt":{"rendered":"<p>Logline: A 1980s radio DJ with a compulsive gambling problem faces a supernatural force that preys on his callers\u2019 vulnerabilities, forcing him to confront his darkest guilt. Page Count: 7 Genre: Thriller, Horror, Dark Comedy Cast Breakdown: ROBBIE ROURKE (30s,<a class=\"more-link\" href=\"https:\/\/sites.chapman.edu\/scriptbank\/2025\/12\/18\/dead-air\/\">Read more&#8230;<\/a><\/p>\n","protected":false},"author":61,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,14,27],"tags":[],"class_list":["post-1898","post","type-post","status-publish","format-standard","hentry","category-7-10-pages","category-comedy","category-thriller"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/sites.chapman.edu\/scriptbank\/wp-json\/wp\/v2\/posts\/1898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.chapman.edu\/scriptbank\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.chapman.edu\/scriptbank\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.chapman.edu\/scriptbank\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.chapman.edu\/scriptbank\/wp-json\/wp\/v2\/comments?post=1898"}],"version-history":[{"count":0,"href":"https:\/\/sites.chapman.edu\/scriptbank\/wp-json\/wp\/v2\/posts\/1898\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.chapman.edu\/scriptbank\/wp-json\/wp\/v2\/media?parent=1898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.chapman.edu\/scriptbank\/wp-json\/wp\/v2\/categories?post=1898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.chapman.edu\/scriptbank\/wp-json\/wp\/v2\/tags?post=1898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}