Week Two Practicum: Zotero

Barkawi, Tarak. Globalization and War. Rowman & Littlefield Publishers, 2005.

Dudziak, Mary L. War Time: An Idea, Its History, Its Consequences. Reprint edition, Oxford University Press, 2013.

Foucault, Michel. “Preface.” The Order of Things: An Archaeology of the Human Sciences, Vintage Books: A Division of Random House, Inc.

Gray, J. Glenn, and Hannah Arendt. The Warriors: Reflections on Men in Battle. 1998.

Kieran, David. Signature Wounds: The Untold Story of the Military’s Mental Health Crisis. First edition., NYU Press, 2019.

Lee, Ashley. “Critics Ridiculed Brandy’s ‘Cinderella.’ Its Legacy Is a Lesson to Hollywood.” Los Angeles Times, 12 Feb. 2021, https://www.latimes.com/entertainment-arts/tv/story/2021-02-12/cinderella-brandy-whitney-houston-disney-plus-movies.

Lutz, Catherine A. Homefront: A Military City and the American Twentieth Century. First Edition, Beacon Press, 2002.

Ramsay, Stephen. “Databases.” Companion to Digital Humanities (Blackwell Companions to Literature and Culture), by Susan Schreibman et al., Hardcover, Blackwell Publishing Professional, 2004, http://www.digitalhumanities.org/companion/.

Sperberg-McQueen, C. M. “Classification and Its Structures.” Companion to Digital Humanities (Blackwell Companions to Literature and Culture), by Susan Schreibman et al., Hardcover, Blackwell Publishing Professional, 2004, http://www.digitalhumanities.org/companion/.

The Editors of Encyclopaedia Britannica, and Melissa Petruzzello. “Saint Margaret Clitherow | Biography, Death, & Facts.” Encyclopedia Britannica, 1 Jan. 2021, https://www.britannica.com/biography/Saint-Margaret-Clitherow.

Tishkov, Valery, and Mikhail S. Gorbachev. Chechnya: Life in a War-Torn Society. University of California Press, 2004.

 

Categorization and Digital Scholarship

Foucault argues that because “certain aphasiacs, when shown various differently coloured skeins of wool on a table top, are consistently unable to arrange them into any coherent pattern,” language is required for categorization (Foucault xviii). The opposite might also be true; the nature of language encourages people to categorize. Words as simple as “sister,” “brother,” “near,” “far,” “expensive,” or “cheap” exist because the nature of descriptive words is to place things into more easily understood categories.

For Digital Humanities in particular, categorization is important because this study focuses on how to present and understand large data sets. Providing a list of thousands of data points is not a useful way to present information; it must be organized into a fashion more easily understood.

Categorization of data into databases does cause some problems, however. For example, if the people creating the categories don’t know what the data will ultimately be used for, they might split the data up into categories that are not useful at all. I have seen this in my work in economic research. The Census Bureau often presents data separated into age groups; if a study is being done on a specific age instead of the age group, this category is not useful. Alternately, the Bureau of Labor Statistics provides employment data separated into years and location; if a comparison must be done for all locations in a particular year, re-assembling the data out of the categories provided can be a lengthy process. Dividing data into too many categories can be as irritating to the user as dividing data into too few categories. Stephen Ramsay discusses the problems inherent in setting up a database, pointing out that “one needs to balance the goals of correctness against the practical exigencies of the system and its users” (Ramsay).

The end-user of a system ought to determine how the system is organized. For example, I once got a job organizing music for a high school choir teacher. For this, the first step was to categorize by “Christmas and Non Christmas Music”, because that is how High School Choir teachers use their music. But, if I were organizing it for another purpose, this would be pointless. In this instance, having the works digitized is helpful, because it flattens all the categories onto one level. The user can sort by the category they want, instead of have to work in the order used by the person organizing the music. Sperberg-McQueen discusses this by saying “the order of axes has tended to become somewhat less important in multidimensional classification schemes intended for computer use” (Sperberg-McQueen).

Zotero is a place where the end user and the person organizing the database ought to be the same person – me. For this reason, I will be using the folder function to keep track of things, and will come up with a keyword system as I work further toward my research projects. I must be careful and check my citations when they are generated from the browser plugin. Sometimes, the link is incorrect; when I tried to cite a newspaper article and an encyclopedia, it didn’t recognize them and instead categorized them as “web pages”. Furthermore, using the browser add-in to cite A Companion to Digital Humanities cited the entire book, instead of the chapter. Although Zotero is a huge time-saver, it must be used with care.

Works Cited
Foucault, Michel. “Preface.” The Order of Things: An Archaeology of the Human Sciences, Vintage Books: A Division of Random House, Inc.
Ramsay, Stephen. “Databases.” Companion to Digital Humanities (Blackwell Companions to Literature and Culture), by Susan Schreibman et al., Hardcover, Blackwell Publishing Professional, 2004, http://www.digitalhumanities.org/companion/.
Sperberg-McQueen, C. M. “Classification and Its Structures.” Companion to Digital Humanities (Blackwell Companions to Literature and Culture), by Susan Schreibman et al., Hardcover, Blackwell Publishing Professional, 2004, http://www.digitalhumanities.org/companion/.

Week One Practicum: Zooniverse

Transcribing required knowing what was being asked for, which could be difficult when different forms were used, as shown in these two forms

For this week, I worked on the Zooniverse Project Every Name Counts. I specifically chose to transcribe in the subheading “BASIC Names Auschwitz – Prisoner Registration Forms,” because I recognized the name of the concentration camp, and having that history made me connect more to the work I was doing. I immediately ran into the problem that I do not speak German, which meant that I had to click on the “Need some help with this task?” button for every single question – usually multiple times. The first transcription was especially difficult, because in transcribing relatives I couldn’t figure out that parents were listed together on one line. Once I finished the first document, and understood the process better, I had a much easier time. After this, the process of transcribing the names weighed on me, knowing the suffering these people underwent. I learned that I learned that Motek is a name, and also a term of endearment in Hebrew, and transcribed a record for an 18-year-old who was imprisoned with his parents. I also transcribed the record of a married carpenter who died three months after his date of entry. Knowing these facts about Roman Kolanola’s life make me remember his name – and helped me understand the importance of the Every Name Counts database.

“Motek” is a Hebrew Endearment, as I learned in researching this project

Franz Gemza’s parents had crosses over their names, marking their deaths

Roman Kolanola’s death date was shown on his form

 

 

 

 

 

 

 

 

 

Participating in this Digital Humanities Project gave me a deeper understanding of what the subject means. When I read in the instructions that each item is transcribed three times to keep mistakes from slipping through, I understood Kirschenbaum’s words: “digital humanities is also a social undertaking” (Kirschenbaum 2). I also understood “The Bentham Project” more after performing transcription myself, since I did not understand how crowd-sourced transcription could work when I first heard of it (Ross 29). I found the tagging feature at the end of the Zooniverse project to be very interesting, and it struck me as something users of this database in the future will find very useful. Perhaps I found this intuitively important because of tagging’s prevalence of Twitter and other social medias, as discussed in both of the readings for this week (Kirschenbaum 4, Ross 33-35). I was glad to be able to participate in a Digital Humanities project, and help digitize these important records

 

Works Cited

Kirschenbaum, Michael G. “What Is Digital Humanities and What’s It Doing in English Departments?” ADE Bulletin, no. 150 (2010): 1–7.

Ross, Claire. “Social Media for Digital Humanities and Community Engagement.” In Digital Humanities in Practice, by Claire Warwick, Melissa M. Terras, and Julianne Nyhan, 23–45. London: Facet Publishing, 2012. https://eds-b-ebscohost-com.libproxy.chapman.edu/eds/ebookviewer/ebook?sid=5322476a-83c0-4a5d-a546-0dd1c3ab2a02%40pdc-v-sessmgr04&ppid=pp_23&vid=0&format=EB.